MUSIC AND SOCIOCULTURAL RELEVANCE OF IPESE FESTIVAL OF IDO-EKITI: THE ABA LÁGÙNRIN’S PERSPECTIVE

Abstract

This paper delves deeply into the intricate role that music fulfils within the context of the Ipesi festival, shedding light on the festival's profound socio-cultural significance among the Ekiti people in Nigeria's contemporary society. Through a meticulous research methodology that leveraged the instruments of Key Informant Interviews (KII) and participant observation, the study meticulously examined the festival's essence. To achieve a comprehensive understanding, the research design incorporated the robust and interactive platform of Focus Group Discussions (FGD). Within the fabric of the festival, music emerges as a central pillar, serving multifaceted roles that encompass entertainment, cultural heritage preservation, fostering connections and unity, as well as facilitating profound spiritual and emotional experiences. Moreover, the study unearthed a rich tapestry of effects that the festival's music exerts on its targeted audience. These effects encompass a spectrum of emotional impacts, infusion of energy, sparked enthusiasm, deepened cultural appreciation, and moments of introspective personal reflection. By spotlighting the intricate interplay between music and festival dynamics, this research extends valuable insights that carry significant implications for academic advancement. Its findings not only offer a nuanced perspective on the evolving relationship between music and cultural celebrations but also serve as a crucial reference point for a diverse array of disciplines, including music education, ethnomusicology, musicology, history, sociology, anthropology, religious studies, and beyond.